I believe that selecting the proper aspect ratio for your scene or subject, especially in nature and landscape photography can make or break your print/image.
I work with large format view cameras and I am primarily a contact printer so I don't have the luxury of cropping or changing my mind later.
Some people view this as a huge disadvantage, but I see it as a blessing. It also feels fantastic and very special when I am able to fully express my creative vision in a way that resonates with my viewers.
In this article, I share how dramatic and important the aspect ratio is for your image.
I created two polls yesterday and asked my social media network to cast their votes. In the first poll, I presented two panoramic images labeled A and B (see the image to the top left of this article). I asked the voter to select their preferences and share why they liked it the best.
I then presented my network with a second image that contained four aspect ratios labeled 1,2,3,4. These images are from the more common ratios that most people are familiar with.
I received a tremendous response from people all over the world with varied backgrounds and knowledge of photography. Many of the voters I know very well and some I have made friends with via social media. In both cases, I was really surprised to learn about their preferences.
You may be asking, why go to all this trouble? I wanted to share how important aspect ratio is with my readers and how it can significantly impact your final prints/images. I thought it would be too boring to talk about the concept in theory, so I quickly cropped my test image into the various formats that I use on a regular basis.
The image to the left of this text is from the second poll. What I didn't ask my voters on social media was of the two different polls, which image do they like best overall? I wanted to save that question for my blog readers. So, of the 6 choices (A,B,1,2,3,4) which is your preference and why?
Scroll down to the bottom of this article and click on the "Add comment" button and submit your final vote and tell me why you made your selection.
THE IMPORTANCE OF ASPECT RATIO
I believe that selecting the proper aspect ratio for your scene or subject, especially in nature and landscape photography can make or break your print/image.
I work with large format view cameras and I am primarily a contact printer so I don't have the luxury of cropping or changing my mind later. Some people view this as a huge disadvantage, but I see it as a blessing. It also feels fantastic and very special when I am able to fully express my creative vision in a way that resonates with my viewers.
I use digital gear on a regular basis for scouting purposes and a variety of non-creative reasons. I am very familiar with the full digital workflow and have many years of experience with all the most common tools (Photoshop, Lightroom, etc.). I can clearly say that I feel a much stronger sense of accomplishment and pride when I nail my print then if I had simply cropped a digital image in Photoshop. This and among other personal reasons and biases is probably why I love making large format contact prints so much. I want to be clear that I have no issues with digital photographers that crop their images in post-production, it just doesn't get my creative juices flowing.
Even with this simple example that I have presented in this article, you can see how drastically the aspect ratio affects the viewing experience. The most important point that I want my readers to take away from this article is that aspect ratio matters and that it helps to actively consider and think about it when you are creating your exposures.
THE ASPECT RATIOS REVEALED
A lot of my readers are very technical and/or photographers, so I thought I better reveal the aspect ratios in the test images. The aspect ratios are as follows: A (5x14 or 2.8), B (4x10 or 2.5), 1 (35mm or 1.5), 2 (8x10 or 1.25), 3 (5x7 or 1.4), 4 (11x14 or 1.27). I selected these ratios because they are some of the most common sizes that I use with my large format view cameras. I have 3 large format view cameras (4x5, 8x10, 11x14) and a variety of reducing backs (e.g, 5x7, 4x10, 6.5x8.5 (Whole Plate), 5x14).
THE VOTES HAVE BEEN TALLIED
At the time of this article, the results were as follows:
Poll 1 - Panoramic Aspect Ratios
A - 38%
B - 62%
Poll 2 - Common Aspect Ratios
1 - 60%
2 - 20%
3 - 10%
4 - 10%
How did the results match up to your votes? What did you learn from this poll that you could use in your photography?
If you like the information in this article, then you will love being part of our new Analog Photography Community where Tim Jr and I share exclusive member-only details such as my personal notes and specific details about the content in this article. |
NEW ANALOG PHOTOGRAPHY COMMUNITY
If you like the information in this article, then you will love being part of my new Analog Photography Community where we share additional member only details in addition to creating exclusive video tutorials, and detailed articles every week to help analog photographers take their creative vision and technical skills to a higher level.
ANALOG PHOTOGRAPHY LAUNCHPAD
TRAINING FOR ANALOG PHOTOGRAPHERS
Read Testimonials from photographers and collectors from around the world.
Buy Your Photography, Video, & Technology Gear at No Additional Cost To You From B&H Photo
COLOR FILMS, DEVELOPERS, DARKROOM GEAR
Fujichrome Provia 100F - Fujichrome Velvia 100 - Fujichrome Velvia 50 - Kodak Portra 160 - Kodak Portra 400 - Kodak Ektar 100 - Fujicolor Pro 400H - Fujicolor Crystal Archive Silver Gelatin RA4 Paper - RA-4 Color Print Processing Developer & Processing Chemicals - Color Darkroom Enlargers
ILFORD B&W FILMS & DEVELOPERS
Ilford HP5 Plus- Ilford FP4 Plus - Ilford Delta 100 - Ilford Delta 400 - Ilford Delta 3200 - Ilford Pan F Plus - Ilford XP2 Super - Ilford SFX - Ilford ID-11 - Ilford DD-X - Ilford Microphen
KODAK B&W FILM DEVELOPERS
Kodak Tri-X - Kodak T-Max 100 - Kodak T-Max 400 - Kodak Portra 160 - Kodak Portra 400 - Kodak Ektar 100 - Kodak P-3200 - Kodak Ektachrome - Kodak D-76 - Kodak XTOL - Kodak HC-110
DARKROOM SUPPLIES & EQUIPMENT
Jobo CPP-3 processer - Ilford RC Pearl Paper - Ilford RC Glossy Paper - Ilford Multigrade Fiber Paper - Ilford Stop Bath - Ilford Rapid Fixer - Neutral Fixer - Kodak Photo-Flo - Hypo Clearing Agent - Darkroom Trays - Chemical Storage Jugs - Nitrile Gloves - Film Archival Storage Sleeves - Archival Storage Binder - Archival Print Storage Boxes
Note: I participate in affiliate programs where I earn a small commission on some select products that I provide links for on my website at www.timlaytonfineart.com. When you use these links, I earn a small commission and there is no additional charge to you.