Darkroom Digest: My Eco-Friendly B&W Film Developer Formulas
I have written about two different black and white developers that I use in previous articles (D76-Eco, D-23-Eco). In this article today, I am discussing why and when I use these two different formulas. As many of you may know, I built my cabin and darkroom off the grid. I have been searching for developers that meet my creative requirements and are environmentally friendly. My D-76-Eco and D-23-Eco formulas meet all of my creative and environmental requirements making them a win-win for me.
For my style of black and white fine art photography, I use four different substrates (sheet film, darkroom paper or calotype paper negatives, glass plates for silver gelatin dry plates, Kodak Ektascan B/RA X-Ray film).
I use my D-23-Eco and D-76-Eco formulas for my silver gelatin dry plates and sheet film.
When I am thinking creatively about the characteristics of each negative medium and developer, I am considering the type of negative I want to create and the resulting final print. I use D76-Eco when I know that I am going to be making alternative prints like platinum because they require much higher contrast. I also use D-76-Eco on sheet films when I have a low-contrast scene that I am photographing.
I use D-23-Eco when I know I am going to be making darkroom prints because this developer creates a lower-contrast negative which I like for this type of printmaking. I like to control my contrast for my contact prints using the Ilford split-grade method. I also use D-23-Eco when I am photographing a high-contrast scene and I want brilliant highlights and open shadows.
The formulas for both developers are listed in the sections below for your reference.
D-23-Eco Developer Formula – 1000ml
D-76-Eco Developer Formula – 1000ml
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Keywords: black and white photography, darkroom, darkroom digest, dry plate, large format, large format photography, metering, silver gelatin
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