I use my 8x10 Chamonix camera more than any of my other large format cameras. I specialize in making very large (48x72, 40x60, 30x40) silver gelatin darkroom prints, and I require the ultimate quality and resolution.
I love this classic format just as the masters before me did too. I also have 4x5, 5x7, and 4x10 reducing backs for this camera because this is the one camera that is with me at all times.
Since you are probably a large format photographer, you may be interested in my Large Format Quick Reference Cards, Split-Grade Darkroom Printing eBook, Color Film Quick Reference Cards, B&W Floral Still Life Fine Art Photography with Large Format Video Workshop, and the Darkroom Underground Magazine.
MY 8X10 LARGE FORMAT VIEW CAMERA
I have more than one 8x10 large format camera, but I use my Chamonix view camera the most. It is light enough for hiking, it sets up fast and very easy, and offers every movement and adjustment that I need for my style of photography. The minimum image circle required for 8x10 is 312.
My 8x10 Large Format Lenses:
Note: IC = image circle
MISCELLANEOUS GEAR & EQUIPMENT
I use a Gitzo 5541-LS carbon fiber tripod with a Really Right Stuff BH-55 ball head most of the time. If I am doing floral still life in a controlled environment, then I like to use my Manfrotto 400 geared head.
For metering, I use a Sekonic 758-DR and I have an older Sekonic 508 that I keep as my backup. I have been using the 758 since 2010 and really rely on it with a high degree of accuracy. I still have my Pentax spot meter that was modified by Zone VI Studios and I use it as well.
For a loupe, I use a Wista 5x (the black one) the most. I also keep a pair of +3 reader glasses in my kit to set up the composition and get the focus fairly close, before moving to the loupe.
For miscellaneous items, I use a manual stop watch for exposures, a lens brush and micro fiber clothes, an extra battery for my Sekonic 758 meter, extra rubber bands (needed many times in the field), a spanner wrench in case I need to work on lenses in the field, a flexible measuring tape to calculate bellows factor for exposure comp in case I do any close-up work in the field, and a couple cable releases, with one serving as a backup. I use a dark cloth that has an elastic band around the front side and velcro along the seam. It also stays in my case to help protect the ground glass too. I also have an old black sweatshirt with a white t-shirt inside it that I use for a dark cloth too.
For film holders, I store them in black neoprene cases that are intended to be used with tablets or thin laptop computers. I typically only take 2 holders (4 exposures with me for a hike). If it is for multiple days, I may take 3. I have both film holders and dry plate holders to accommodate the medium I am using and I always store my film holders in zip lock freezer bags.
If you have any questions, send me an email or post a comment below for others to see too.
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