Getting Geared Up For Some New Floral Still Life Platinum Prints - Part 1

October 11, 2017  •  Leave a Comment

Vintage Large Format Lenses for my Platinum PrintmakingVintage Large Format Lenses for my Platinum PrintmakingSubscribe to my newsletter and never miss another article or update.

Learn more about my Fine Art Platinum and Platinum/Palladium Printmaking.

Read exclusive articles, both technical and creative, and view fine art portfolios in the Darkroom Underground Magazine.
I am getting ready to work on a special project for a collector where I will be making some fine art platinum prints of some rare flowers.  

While the details are getting worked out on the project, I thought I would get my daylight studio in working order and also get all of my darkroom processes finely tuned for platinum printing as well.  

I am going to make a few prints over the next week or so and so I turned to my garden to select some fresh flowers.  

I walked around my gardens today and I found a few flowers that I really appreciated.  I especially loved the Dahlia that you see below and I can't wait to photograph it tomorrow morning in the soft northern light.

I will be using my 8x10 Chamonix large format view camera with my 5x7 reducing back because I want to make 5x7 platinum prints of this Dahlia, and possibly some roses that look to be in prime condition as well.  

Fresh Dahlia From My Garden For New Platinum PrintFresh Dahlia From My Garden For New Platinum PrintSubscribe to my newsletter and never miss another article or update.

Learn more about my Fine Art Platinum and Platinum/Palladium Printmaking.

Read exclusive articles, both technical and creative, and view fine art portfolios in the Darkroom Underground Magazine.
I use large format original film negatives when I create my platinum prints vs. printing a digital negative via Photoshop like some contemporary printmakers do.  Quality is my top priority for my collectors and so I continue to use large format original film negatives for all of my platinum and platinum/palladium prints. My entire platinum workflow is completely analog.  If you are interested in reading more articles about platinum printmaking, you can visit my platinum informational webpage.  

I will be using some vintage brass lenses for these new prints and if you look at the photo at the top of this article, you will see a 19th-century Cooke soft focus lens to the left and a Rodenstock Mornar to the right.  The optical signatures of these lenses are unmistakable.  I hand-selected both of these lenses many years ago and they have become part of my brand.  

I will be printing on Hahnemühle Platinum Rag for all of these prints.  I have standardized on this paper for all of my platinum and platinum/palladium printmaking.  

For the super geeks, I will be using Ilford FP4+ film and developing in Pyrocat HD.  

I will write a new article after I create the platinum print of the Dahlia tomorrow and share it with you.  

Join thousands of photographers and fine art collectors from around the world and receive my exclusive Newsletter and never worry about missing a new article or update again. 

You can support my writing for only $2 per month or $24 per year.  I have been writing and sharing articles on all things darkroom photography and large format for nearly a decade now.  Feel free to search my blog for topics of interest by entering your search phrase in the upper right corner.  I send exclusive updates to my supporters.  

-Tim Layton 

Check out my darkroom and large format training materials (Video Workshops, Quick Reference Cards, eBooks, Guides)

Tim Layton
Darkroom & Large Format Photography
Video Workshops/eBooks/Guides: www.timlaytonfineart.com/workshops
© Tim Layton Sr. | All Rights Reserved

 


Comments

Get my Free Darkroom Newsletter and never miss new information again.

Top Trending Article This MonthExploring Divided D-23 Large Format B&W Film Development


Media & News Updates


 

Support This Blog

Subscription Options

 


Popular Articles

 

 

 

Subscribe
RSS
Archive